JAanime·cinematic AI·Seedance 2.0 prompt
Woman Reads a Letter Under Cherry Blossoms in Anime Style
An image-to-video prompt that keeps a reference face locked while a young woman walks a cherry blossom hill, finds a letter bearing her name, and reads it as golden particles rise from the words. It ends with petals swirling around her and an aerial pull-out, styled after Makoto Shinkai films with warm golden-hour lighting.
Mira Sterling @Chaemate_
Prompt
Use @image1 as the permanent facial identity reference. Preserve the exact face, skin tone, makeup, eye shape, and expression in every frame. Only change outfit, hairstyle, accessories, pose, and body movement. Create a 15-second Makoto Shinkai-inspired cinematic anime sequence. A young woman enjoys a peaceful walk through a cherry blossom hill at golden hour. She accidentally steps on a hidden envelope, kneels to pick it up, and discovers her own name written in familiar handwriting. She quietly freezes for a moment, then walks to a large cherry blossom tree, opens the letter, and reads it. Tiny golden particles rise from the handwritten words like fading memories. She gently closes the letter, holds it to her heart, and stands beneath the tree as thousands of petals swirl around her while the camera pulls into a breathtaking aerial farewell shot. Style: Photorealistic anime, Your Name, Suzume, Weathering With You, warm golden-hour lighting, HDR, 4K, ultra-detailed backgrounds, cinematic depth of field, realistic cloth and hair physics, natural cherry blossom petal motion, smooth camera transitions, emotional storytelling, Joe Hisaishi-inspired orchestral atmosphere. Negative Prompt: No facial changes, no identity drift, no extra characters, no ghosts, no anatomy errors, no flicker, no camera shake, no harsh VFX, no oversaturated colors, no clipping, no unrealistic physics.
How to use this prompt
- Copy the prompt with the Copy prompt button above.
- Paste it into any tool that supports Seedance 2.0.
- Swap the subject, setting or style for your own, then generate.
